It’s reminiscent of Richard Linklater’s equally talky BEFORE SUNRISE and BEFORE SUNSET, which are both conversations between a man and a woman unfolding in real time.
Conversations with other woman movie movie#
Ultimately, the movie never escapes from feeling like much more than an ambitious student film. Mostly, however, the split screen technique feels like a gimmick to make everything more interesting, ignoring the reality that what is not emotionally engaging once is not emotionally engaging twice. Bonham’s performance in particular is fascinating to observe in her quiet moments when conventional editing would have given the audience only the shot of the other actor. Canosa says this technique arose form his desire to “more effectively convey the emotional journey of the two main characters.” This is sometimes effective. Director Hans Canosa’s answer to this is to pull off the cinematic equivalent of smoke and mirrors.ĬONVERSATIONS WITH OTHER WOMEN is shot almost entirely in split screen, so that both the Man and the Woman appear simultaneously for almost the whole movie. But, it’s very difficult to ask an audience to side with adulterers and become emotionally invested in their journey. Since the audience discovers early in the story that the Woman is married to a London cardiologist, the movie takes on the ambitious task of depicting the anatomy of adultery. Since their course of action is never really in doubt, their journey up to the hotel room for their fatalistic rendezvous is not about what will happen next but what the audience will learn about them as they make their way there. The immorality of their actions is an easily dismissed half-hearted concern. Their conversation meanders from biting and caustic sparring to tender confessional moments that reveal themes of longing, regret, loss and desire. It is almost impossible to say any more about their relationship without revealing the fundamental tension which fuels the story’s only sense of intrigue. These two apparent strangers meet at a wedding reception and begin a conversation that slowly reveals they are not strangers at all. Content:ĬONVERSATIONS WITH OTHER WOMEN is actually just one long conversation between a nameless Man (played by Aaron Eckhart) and Woman (played by Helena Bonham Carter). CONVERSATIONS is reminiscent of Richard Linklater’s talky BEFORE SUNRISE and BEFORE SUNSET, which are also conversations between a man and a woman unfolding in real time, but it is not as compelling.
It also contains some strong foul language, depicted sexual immorality, brief nudity, and self-loathing, with a strong pagan worldview. Ultimately, the movie never escapes from feeling like much more than a student film. Though sometimes effective, the split-screen technique mostly feels like a gimmick to make everything more interesting, ignoring the reality that what is not emotionally engaging once is not emotionally engaging twice. Their conversation meanders from biting and caustic sparring to tender confessional moments revealing themes of longing, regret, loss, and desire.ĭespite its artsy split-screen, CONVERSATIONS WITH OTHER WOMEN never engages the audience emotionally. Their adulterous relationship is the center of the story.
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Shot almost entirely in split screen, CONVERSATIONS WITH OTHER WOMEN is actually just one long conversation between a nameless Man (played by Aaron Eckhart) and Woman (played by Helena Bonham Carter).
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